No. Speaking and podcasts are amplifiers, and amplifiers are optional. What's required is one channel where the people who can hire you meet your thinking, kept up consistently. I built this business on LinkedIn and a newsletter, with a podcast added several years in. Rooms are worth borrowing when they energize you, never because a checklist says so.
Get one channel humming first, then borrow rooms that already hold your ideal clients.
A trusted host lends you their audience's trust, and one deep channel makes every room pay twice.
Name the one room your clients already trust, and find out how speakers get invited.
Pick the channels that are yours and go deep.
Leah Neaderthal, Smart Gets Paid
Mostly no. "More marketing" almost always means more channels, and depth beats breadth every time: being present in one place consistently is more effective than trying to be in five places occasionally. The people prescribing more usually sell one of the channels they're prescribing, while your clients only need to find you reliably in one.
Run this test before adding anything:
Pass all three and an amplifier becomes worth discussing. Fail any one and "more marketing" is just a detour with a to-do list attached.
A room is worth it when your ideal clients are already in it and the host is someone they trust. That's borrowed trust, and it's the one thing a room does that your own channel can't: a credible host vouches for you by handing you the audience.
The medium itself is mainstream now. Edison Research found 42% of Americans 12 and older listened to a podcast in the past month, and the professional slice of that listening happens in cars, kitchens, and commutes where your clients spend real attention.
The worth-it checklist:
The people who can hire you, at their stage, with budgets. A room of peers is pleasant and produces nothing.
That's what makes the conversation go deep instead of promotional.
One good talk feeds your channel for weeks: clips, a newsletter issue, three posts.
The room should send people somewhere you own, or it's applause that evaporates.
Guesting is the low-lift version and the right starting point. Your own show is a full channel commitment, and it belongs years down the road, after the first channel hums.
A webinar is a room you build yourself, which makes it the highest-effort option on the menu: the topic, the promotion, the tech, and the audience are all on you. It can work, and it works in a specific situation: when an audience you own already exists, usually a newsletter list warm enough to show up.
The honest sequence for rooms:
If you're drawn to webinars because they feel like teaching, notice that the pull is real information: rooms suit you. Just start with the ones somebody else already filled.
Real talk: when Clubhouse arrived, and then TikTok, I deliberately stayed put. Part of that was focus. The bigger part was integrity: I teach women that they don't need to be everywhere, so I refuse to be everywhere myself. LinkedIn, the newsletter, the podcast. That's the whole empire, and it's enough.
And I'll be straight with you about the podcast, because I host one: it converts better than anything else I do. Women arrive at sales calls already trusting me because they've been in my actual coaching conversations for months. And I still wouldn't have started there. It came years in, once the business already worked, as an amplifier on top of a system, and that order is the whole lesson.
One more thing, for the high performer reading this: "if some marketing is good, more must be better" is the instinct that built your career, and it's wrong here. This game rewards depth, patience, and showing up in the same place until the right people can't miss you. You don't need more. You need yours, done fully.
The Academy is where I teach the whole system, with a room of women doing the same work.
Be findable saying something specific. Hosts book guests who bring their audience a clear point of view, and your body of work is the audition: the posts, the newsletter, the way you talk about the problem. Start with rooms where you're already known, ask the hosts you know listeners with audiences like yours, and pitch the specific conversation, never yourself in general.
Rarely, and that's normal. A room seeds conversations that surface over months, because the people listening hire on their own clocks, and a B2B engagement takes real conversations to come together. Treat every room as planting, capture the attention somewhere you own, and judge the gig at the quarter mark, never at the door.
Skip public speaking, without the guilt. Stages are one amplifier among several, and terror is a legitimate veto: a channel that costs you dread is a channel you'll quit. Podcasts feel like conversation instead of performance, which is why plenty of stage-averse consultants love them. And if all rooms are out, your writing can carry the whole load.
A few right rooms a year, chosen for fit, will do more than a busy circuit of wrong ones. One great room hands you weeks of repurposed material and a warm trickle of conversations, so pick rooms the way you pick clients: specifically, and without apology. Chasing a full speaking calendar mostly produces travel. A couple of right rooms a year is a real strategy.